The ebulliently sharp mind of 'White Christmas' director Walter Bobbie made me tremble and strive in the same breath. The deceptively 'simple' dialogue of David Ives, asking every actor to just. say. it. Float it on the breeze; it doesn't need 'explanation,' just energy and truth.

People ordinarily don't think of their orchestras as important as we'd like them to be. People don't care about their friends and neighbors who sit down to commit excellence three or four times a year, but they will go see the tall bald guy with three names from television.

The simple act of sitting down and playing something enormously complex and spiritually uplifting on a harpsichord just bores kids to tears. There's no sizzle, there's no grab. But it's the great lesson of serious music, that it invites you to listen, rather than demands that you listen.

I think the preservation of orchestras and what they do is worth expending all the ways there are to reach out to people who might not otherwise go.

Cogsworth, the character I did on 'Beauty and the Beast,' could be a bit flamboyant onscreen, because basically, he is a cartoon. But they didn't want Cogsworth to become Disney's gay character, because it got around a gay man was playing him.

A lot of my income has been derived from voicing Disney and family programming.

Fun can happen on the interior. Nobody knows about it, but there are fireworks going on inside your spirit when you hear a great orchestra playing great music.

I wish to spend my life's twilight being just who I am. I could claim noble reasons as coming out in order to move gay rights forward, but I must admit it is for far more selfish reasons. Now is the time I wish to find someone, and I do not desire to force any potential partner to live a life of extreme discretion with me.

When something really extreme happens, you have to find a way to embrace that and include it in how you think about the character. Sometimes it’s not easy.

It’s rare to be treated like a friend you haven’t met in a Hollywood meeting.